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THE NAVAJO

Often times when discussion Navajo textiles, traders, dealers, and museums use terms referring to a regional area where distinctive styles of weaving are utilized. An example of which can be seen in our second featured textile, number 2452-44, a Chinle Revival rug. Another commonly used term is “Chief Blanket,” which come in four phases, along with variants. See our first featured textile for a brief unpacking of the term and the style of weaving.

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Featured Textile: 1074-101

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This textile is an example of a Third Phase Chief Blanket. It boasts a red, possibly cochineal-dyed, nine-spot pattern with a central terraced diamond, quarter-diamonds at the corners, and half-diamonds at the center of the sides and top and bottom edges. There are three principal blue bands with narrow red stripes divided by two sections of alternating three cream and two blue stripes. The blue is derived from indigo.

 

Historically, the term ‘Chief Blanket’ is a misnomer for a type of blanket that was never intended to denote rank or gender (Wheat 1976: 44). First Phase Chief Blankets consist of brown natural churro wool, indigo blue, and white, forming bands and stripes. During the 1800s, the Navajo began to outline the blue stripes at the ends and center with a narrow edging of crimson “bayeta” (Wheat 1976: 47). These blankets were especially prized by the neighboring Ute, Cheyenne, and other Plains tribes to the north Indians and the Sioux (Penney 2004: 98; Wheat 1976: 50). By the 1850s, the style was evolving into the Second Phase. Rather than paralleling the blue stripes, the raveled crimson threads were “concentrated into rectangular blocks which interrupted each blue stripe at the ends and in the center, thus creating twelve ‘spots’ of color” (Wheat 1976: 50). By 1870, when the Navajo had returned to their homeland, the twelve-spot pattern had become a nine-spot pattern with a central terraced diamond, quarter-diamonds at the corners, and half-diamonds at the center of the sides and top and bottom edges.

 

Although the Third Phase Chief Blanket featured here fits the standard design, the Navajo wove many variations on this theme. Variations such as serrated and terraced patterns, zigzag designs, meanders, and cross motifs can be seen throughout the AAHC’s collection of Navajo textiles. For more on Chief Blankets, we recommend the following readings, Wheat c2003, Wheat 1976, Penney 2004, and Mera 1938.

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Keywords

Red, cream, blue, nine-spot pattern terraced diamonds, banded, indigo, (possibly cochineal), Third Phase Chief Blanket, Late Classic/ Transitional

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Featured Textile: 2452-44

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Named for a regional area in the central part of the Navajo reservation, Chinle is a rug style characterized by its muted vegetal colors, banded patterns, and borderless nature (Whitaker c2002). Chinle rugs often feature terraced motifs and other simple elements woven with the banded or striped zones, which are separated by a plain band or several smaller bands.

 

This textile is an example of the Chinle Revival style, which was begun by traders in the Chinle area in the 1930s (Whitaker c2002). It displays a repeat sequence of striped off-white and brown and off-white and green, with geometric patterns in brown and off-white on green stripes. The braided tassels at each corner alternate pink and off-white yarns. It also features the Navajo “lazy line,” which appears as a faint diagonal joining or break in the weave (see image below). Lazy lines allow the weaver to work on one section and then move over to the next.

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Keywords

Chinle Revival, vegetal, geometric, banded, borderless, terraced motifs, off-white, brown, green, pink, braided, tassels, lazy lines, rug

To contact the creators of the website with questions, comments, concerns, or suggestions, see the contact tab. While you’re at it, check out the further readings/ reference section to see what we’re reading and to jump-start your own research on the textiles arts of the Southwestern United States.

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